Cezanne, Lowry and Landscapes Essay -- Visual Arts Paintings Art

Cezanne, Lowry and LandscapesCezannePaul Cezanne, who was the son of a wealthy banker, became a painter inthe 1860s in Paris when he quit his studies of Law. By 1874 he waspainting landscapes in the Impressionist manner and had some of his die included in their first exhibition held during that very sameyear. He painted in the Impressionistic manner, but sheared off in adifferent direction to the briny body of Impressionist painters. Themain body of Impressionist painters were concerned with the fleetingeffects of light and colour, and in dress to capture the surfaceimpression of that moment they had to work fluently and quickly. s digest was far more proprospiciented and pains-taking He spent so longanalysing his subjects that some of his work was never finished. beganto be more concerned with the intention of colour in modelling objects andlandscape and as a right smart of expressing their underlying form. The basicideas of Cubism have been claimed to be present in his philosoph y. His conjecture was that the painter could always find the cone, the sphere andthe cylinder in Nature, and that whole natural shapes were composed ofthese shapes at their most basic form. inherited able wealth tolive in rich seclusion in Provence in force(p) Aix. He needed this solitudeor he found it sticky getting on with others being natur all toldy illat ease, neurotically sensitive and suffering from outbursts oftemper. His great contribution to art was to make Impressionism impregnableto restore the careful analysis of form and structure that pervadedthe old know but to combine this with an intensity of colour andharmony, full of personal expression. In his landscapes he showed adeep feeling for the force of nature in each sweeping line andchopping stroke of the brush, in the intense orangeness earth against theclear Provence skies.Always dissatisfied with his efforts, struggled unceasingly to revealthe truths of nature. He made many landscape paintings of the areawher e he lived and through them he achieved great success even in hisold age. Many of these landscapes interchangeable Route-Tournante pulse andglow with his free and painstaking analysis. Part of the vitality ofthis visualise lies in the loose and patchy technique The effect isparticularly collision in the subtle greens of the trees and the subtleearth tones. Part of the saki ... ...riel Decamps, Charles-Emile Jacque, and other minorlandscape and animal painters - e.g Brascassat/Rosa Bonheur.During the second one-half of the nineteenth century, the school becamemore and more famous - the number of painters in the school alsoincreased.Barbizon was the name of the area in France where members of thisschool colonized down to paint. Jean-Francois Millet, together withTheodore Rousseau, became the centre - the nucleus of the Barbizoncommunity, and the reference point for all the other Barbizonners -the other members of the Barbizon school. Millet settled down inBarbizon in 1849.has lo ts been described as the initiator of the Impressionistmovement, and indeed he did part many of the ideas that we saw inthe movement as it developed. It could be say that Lowry paintedlandscape in an Impressionist fashion as well, as his pictures arepainted in such a way as to make the viewer aware of the messagebehind the picture kinda than the actual picture which has beendepicted using brushstrokes from a man of implausible painting skill. Apainting by has been included with this essay, along with areproduction of one of Lowrys pictures.