American Religion in Long Days Journey into Night Essay -- Long Days

American Religion in Long Days excursion into Night The modernist sentiments through forth Long Days Journey into Night, by Eugene ONeill, argon apparent in many different ways. Among the methods he used was the line drawing of Americas withdrawal from traditional religion and modes of behavior. He used his immigrant Irish family, the Tyrones, as a pedestal for this idea by highlighting their departure from traditional Irish beliefs and their struggle to song new, uniquely American, ones. ONeill did this by repeatedly evoking a drastic difference between his characters conduct and their Irish Catholic counterparts. He replaced the main tenets of the Catholic faith, communion and confession, with entirely new ones. While the Tyrone family was interest forging new American spirituality, the author was bringing about the get of truly American drama. The Tyrone family made the choice to renounce their old ties and form new ones, with differing amounts of success. This meant a severing from the Catholic faith community, leaving a social void that they tried to fill with drugs and money. James Tyrone, the father, sold himself out early on when he opted to act for money rather that for the sake of art. His sons Jamie and Edmond excessively turned away from the Church by shrouding their lives in alcoholic drink and whores. Lastly, their mother Mary Tyrone had effectively excommunicated herself by marrying a disreputable actor and turn of events to morphine to solve her problems. I am not sure if in the end their gods matched up to their ... ...w chosen religion, no longer an Irishman but an American. The twenty-four hours was a journey from of external versus internal spirituality but also of internal versus external mold on American theater. By utilize themes of immigration and social integration, ONeill broke away from European theater influence and created an entirely new class of theater American. And while he borrow ed ideas from the classic and Shakespearean theater, he combined them with a new setting and interview to form an entirely new art form. Just as the Tyrones could never fully leave tin can Ireland, ONeill could not entirely leave behind Europe. Instead, the author and his characters took their existing belief/theater structure and adapted it to a new country, while making it their own.